Few aspects of my job as a Sharprint Sales Insider are as disheartening as having to utter any statement that contains the words "we can't." It goes against the entire credo of this super-positive team of go-getters. However, when it comes to direct to garment printing, one limitation lingers every day -- the garment options for digital printing.
Rules of Polyester
As a general rule of thumb, polyester repels the water-based ink used in direct-to-garment printing. Printing on shirts that contain polyester is difficult from the very beginning - the design may not "take" or adhere to the poly content in the garment. Depending on the amount of polyester content, the next step of curing (drying) the ink could create further problems. Even on some non-polyester t-shirts, a large light-colored design printed on a low quality, dark color cotton shirt may "crack" during washing & drying.
These warnings don't hold true for every material or design, and we pride ourselves on doing good work. In some cases, good work means keeping everyone well-informed and educated about printing processes -- disclaimers and all.
Now, despite machine manufacturer's warnings, our attitude is that we'll try anything at least once! So in the interest of giving an answer better than "we can't," I have devised a small experiment to provide photographic proof of what we mean when we advise against certainfabrics for digital prints. We'll print the same image on t-shirts made of a variety of materials and document the results. I have enlisted the help of Cole Blotcky Washburn, the mayor of our direct-to-garment printing department and all-around walking encyclopedia of digital printing knowledge.
Hey Cole Blotcky, why no polyester?
Cole: It's not no polyester, it's pretty much no polyester. The fibers of polyester are extremely fine and made of plastic. Plastic is not absorbent, so printing with water-based inks doesn't work well.
The 100% no-polyester scenario is white inks. White uses metal, titanium dioxide, and therefore it is really heavy on a molecular level. This can be seen on any garment: if you print white without an underbase, the visual effect is similar to if you just spilled some milk on the shirt - your brain would see the spot and think "stain!" or "wet!" but not "white!" The same thing is true for the ink as the milk (as a matter of fact, milk has been used as paintfor millennia).
Well, what about polyblends?
B: Polyblends work only partially for the reason you might assume - because of the fibers that make it a blend - there's something for the ink to attach to besides polyester. Think of when you've spilled water on something cotton - you got wet and stayed wet. Think of spilling water on a synthetic material - it either beads up or it passes right through. The same thing happens with the ink. When more absorbent fibers are present, the ink has more to adhere to.
Are there any other materials to avoid completely?
B: Plastics of any kind, unless you don't care about your print holding up.
Are there any textiles other than 100% cotton that can be used for digital printing?
B: Other non-cotton materials often stand up fairly well to the process - fabrics such as wools and silk do well when printed on, but have extremely fine fibers. A white underbase is not recommended, and frankly, I wouldn't do it without a waiver from the customer. I have personally printed on linen (flax) and hemp, two other non-animal materials, with great success. To say that only cotton can be printed on is a misnomer.
What's the trickiest material you've ever printed on, and how did it turn out?
B: As far as textiles go? Linen is a real pain. I recently posted about printing on linen. As you can read and see, it is very tedious business. The final product is stunning, however. That's really the fun of printing in general - the challenge: can we really print on that?
Fully agreed. Any other advice?
B: As far as custom apparel goes, just remember: your job can be fast, high quality or inexpensive, but realistically they're mutually exclusive. Also, eat more pizza.
We put the big contenders to the test: 50/50, tri-blend, polyester, and cotton (black and white).
Here are the results after the same printing, curing, and washing (inside out in cold water, please!) treatment.
I hate to say "I told you so," but I totally told you so. Our image printed the best on the white, 100% cotton shirt. Detail was rendered very well. Colors printed vividly and stayed vivid after washing.
And now, the gratuitous side by side cotton vs. polyester shot: